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A powerful virus escapes from a British research facility. Transmitted in a drop of blood and devastating within seconds, the virus locks those infected into a permanent state of murderous rage. Within 28 days the country is overwhelmed and a handful of survivors begin their attempts to salvage a future, little realising that the deadly virus is not the only thing that threatens them.

Six different people, each from a very different walk of life, awaken to find themselves inside a giant cube with thousands of possible rooms. Each has a skill that becomes clear when they must band together to get out: a cop, a math whiz, a building designer, a doctor, an escape master, and a disabled man. Each plays a part in their thrilling quest to find answers as to why they’ve been imprisoned.

Stanley Goodspeed, who lives in Washington D.C., is a biochemist who works for the FBI. Soon after his fiancée Carla Pestalozzi announces that she is pregnant, Stanley gets a call from FBI director James Womack. Womack tells Stanley that San Francisco’s Alcatraz Island has been taken hostage, along with 81 tourists, by marine General Francis Xavier Hummel, who, for years, has been protesting the government’s refusal to pay benefits to families of war veterans who died during covert military operations. The death of his wife Barbara Hummel on March 9, 1995 drove General Hummel over the edge, and now he’s holding hostages in order to get his point across. Stanley is needed because General Himmel has stolen some VX gas warheads and has announced that he will launch them onto San Francisco unless his demands are met. Stanley knows how to disarm the bombs, but Stanley needs someone who knows Alcatraz well enough to get him inside. That man is former British intelligence agent John Patrick Mason, who has been in prison for the past 30 years without a trial because he was accused of stealing the private files of J. Edgar Hoover. In 1962, John became the only inmate ever to escape from Alcatraz, and he stayed out of Alcatraz long enough to father a daughter named Jade Angelou. Despite his extreme hatred of the FBI, John agrees to help Stanley. When John and Stanley are sent into Alcatraz with a Navy SEAL team, General Hummel’s men kill the entire SEAL team, leaving Stanley and John to work on their own to rescue the hostages.

This movie postulates what if there is more than one universe. And that all of these universes are held together by one single stream of energy and that energy is equally distributed to every living in each universe and if one of these beings die, that energy is reallocated equally to each other surviving member. And with each allocation, a person becomes stronger. Now one universe has master the ability of crossing into another universe, and a man named Shulaw who believes that if he can kill all of his counterparts, he will become invincible, but there are those who believe that it might have detrimental effects, so try and stop him. Unfortunately, he just has one more person to kill, Gabe Law, but the officers follow Shulaw but Shulaw has committed some crimes and Gabe is accused and is wanted. But Gabe discovers that he has changed and only wants to kill Shulaw not realizing what could happen.

When a band of ruthless hijackers invade the world’s most luxurious cruise ship, they’re shocked to discover the passengers have mysteriously vanished! But that doesn’t mean they are alone! Something terrifying is lurking just out of sight: a deadly force from the unexplored depths of the ocean that begins to snatch the horrified intruders one by one!

John LeCarre’s spy thriller is brought to the big screen. A British spy (Pierce Brosnan) is banished to Panama after having an affair with an ambassador’s mistress. Once there he makes connection with a local tailor (Geoffrey Rush) with a nefarious past and connections to all of the top political and gangster figures in Panama. The tailor also has a wife (Jamie Lee Curtis), who works for the Panamanian president and a huge debt. The mission is to learn what the President intends to do with the Panama Canal. But what the two do is concoct a tremendous fictional tale about former mercenaries who are ready to topple the current government and are willing to work with Britain and the US to do so.

At the start of World War 1, Charlie Allnut is using his old steamer, The African Queen, to ferry supplies to villages in East Africa. When the Rev. Samuel Sayer dies, Charlie agrees to take Sayers’ sister, Rose, back to civilization. taking on the Germans at the same time.

Top cover girl and fashion model, Jennifer Tree (ELISHA CUTHBERT) has it all - beauty, fame, money and power. Her face appears on covers of hundreds of magazines. At the top of her game, Jennifer is America’s sweetheart. She is loved and adored and sought after. Everyone wants her. But someone out there has been watching and waiting. Someone wants her in the worst way. Out alone at a charity event in Soho, Jennifer is drugged and taken. Held captive in a cell, Jennifer is subjected to a series of terrifying, life-threatening tortures that could only be conceived by a twisted, sadistic mind. Inspired by the fact that over 850,000 people are reported missing every year in the United States, many of whom are never seen again, CAPTIVITY, follows the story of one woman who is abducted and tortured, held against her will in a place where days turn into weeks. Her will to escape and survive is challenged every moment by a maniac’s desire to demoralize innocent victims and play out his sick game that has been played many times before Jennifer was taken. A combination of SAW and HOSTEL meets SILENCE OF THE LAMBS, CAPTIVITY is a psychological thriller/horror film that shows us the true terror of the crimes of abduction and confinement that are committed every day by serial killers and psychopaths at large. Directed by acclaimed filmmaker Roland Joffe (THE KILLING FIELDS, THE MISSION), CAPTIVITY delves deeply into the minds of both captor and victim with a fresh and terrifying view of this epidemic horror. Being released this summer in theatres nation-wide, CAPTIVITY has been called one of the most controversial films of the year. It’s a disturbing and raw, yet classy and thought provoking film which will leave you terrified, and looking over your shoulder as you leave the theatre wondering if you could be next.

From cult movie directors Quentin Tarantino and Robert Rodriguez comes a unique film experience: a double-bill of thrillers that recall both filmmakers’ favorite exploitation films. “Grindhouse” (a downtown movie theater in disrepair since its glory days as a movie palace known for “grinding out” non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. Tarantino’s film, “Death Proof,” is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while Rodriguez’s film “Planet Terror” shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall the ’50s exploitation drive-in classics.

With Von Doom back in his homeland of Latveria the fantastic four have new troubles when Galactus has decided that Earth is his next target. When his henchman, The Silver Surfer, is sent to Earth he discovers that he’s getting more than he bargained for when he encounters the Fantastic Four. But that’s not all when Dr. Doom decides that after two years in the homeland he is ready to return.